Working with ITSLIQUID and Luca has been an incredible experience. This is our second year collaborating, and once again, they have exceeded expectations. The level of professionalism, creativity... Se mere
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Working with ITSLIQUID and Luca has been an incredible experience. This is our second year collaborating, and once again, they have exceeded expectations. The level of professionalism, creativity... Se mere
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Location bellissima! Sono entrato quasi per caso a Palazzo Albrizzi e mi sono trovato davanti questa mostra di ITSLIQUID… una sorpresa totale! La location è incredibile e rende tutto ancora più sugge... Se mere
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L'inaugurazione è stata piacevole e la mostra interessante. Tuttavia, non riesco a immaginare che passeranno molti visitatori. Se vi piace spendere soldi per poter esporre, siete sicuramente nel post... Se mere
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Un gruppo di professionisti, attenti, competenti, preparati, ti fanno sentire parte di un gruppo. Esperienza fantastica oltre ogni aspettativa. Tutto perfetto. Organizzazione in primis. Esporre con lo... Se mere
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ITSLIQUID is a web based information platform dedicated to world wide distribution of information about calls for entries, exhibitions and events at some of the world’s leading art galleries, museums and foundations selected.
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Ho avuto modo di partecipare alla mostra, tutto era organizzato in maniera impeccabile, le opere in esposizione erano molto belle. Sono stata felice di aver partecipato

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The Future landscapes art exhibition organised by Itsliquid Group was a fantastic experience. The venue itself the stunning Palazzo Albrizzi-Capello added timeless charm to the contemporary artworks on display. The vibe was vibrant, creative, and welcoming.
Kudos to the ITS LIQUID team for their warm hospitality and seamless organization. A truly inspiring evening in the heart of Venice!

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Ho visitato la Rome International Art Fair 2025 organizzata da ITSLIQUID e, con grande rammarico, devo dire che l’esperienza è stata profondamente deludente.
Fin dall’ingresso, è stato evidente che le opere erano disposte senza alcun criterio curatoriale: molte accatastate una sull’altra, senza alcun rispetto per gli spazi o per le singole opere. Alcuni lavori erano addirittura collocati in angoli nascosti, tanto da passare inosservati fino a un secondo o terzo giro della sala.
Per quanto riguarda la qualità complessiva delle opere, ho notato la presenza di alcuni artisti validi, degni di una fiera internazionale. Tuttavia, era altrettanto evidente che molte opere erano state incluse solo per “fare numero”, senza una reale selezione artistica. Questo lascia intuire chiaramente che l'interesse primario dell'organizzazione non sia il livello qualitativo delle proposte, ma la capacità degli artisti di pagare una quota di partecipazione, spesso molto elevata.
Il risultato è un allestimento caotico, sovraffollato, dove diventa difficile distinguere l’identità dei singoli artisti o apprezzare pienamente le opere esposte.
L’inaugurazione, infine, è stata estremamente deludente: presenti quasi esclusivamente gli artisti partecipanti e qualche conoscente, in assenza di galleristi, curatori, collezionisti o altre figure del settore che un evento di questo tipo dovrebbe attrarre.
Invito caldamente gli artisti a valutare con attenzione organizzazioni di questo genere e a non lasciarsi convincere da promesse poco trasparenti. Un evento serio non dovrebbe mai sacrificare la qualità artistica a favore del guadagno economico.

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I participated in the Rome International Art Fair with high hopes but the reality was a massive letdown on all fronts.
They promised:
* A contemporary art fair of international standard
* A curated exhibition with professional presentation
* Networking opportunities with curators, collectors, and galleries
* Genuine media visibility and documented press coverage
What was actually delivered:
* An opening night attended almost exclusively by the participating artists themselves, with no collectors, curators, or institutions present
* artworks were hung haphazardly, often stacked one over another, with no evident curatorial structure or respect for the pieces
* Virtually no promotional outreach: the Facebook event had barely any engagement, artists were not properly informed or invited, and the event felt far from international standard
* No confirmed media coverage unless additional paid promotional services were purchased, press releases were sent, but with zero guarantees of publication or attendance
* Complete absence of curatorial presence or professional support throughout the event, no communication, no guidance, no meaningful interaction
Adding to all that, when I expressed my disappointment and raised concerns, instead of engaging constructively, the organisers responded defensively and immediately resorted to threats, which only confirmed a lack of professionalism and respect.
If you are considering this event for serious exposure, professional networking, or quality presentation of your work, I strongly advise you to reconsider. My experience was one of frustration, invisibility, and unmet promises.

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My experience with ITSLIQUID in Lecce was professionally organized and full of warm, respectful communication. I appreciated Amaride's kind support and attention to the presentation of my work. The team created a calm and inspiring space for artists, and I felt welcomed and respected as part of the exhibition. Thank you for the opportunity—I look forward to seeing how future collaborations unfold.

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I participated in the so-called “Rome International Art Fair” expecting a professional and well-curated platform, as promised in their official communication and website. Unfortunately, the reality was far from those expectations.
The exhibition turned out to be a crowded group show, lacking basic curatorial structure. There were no curators present, no visible engagement from collectors or art professionals, and almost no public visitors during the event.
Despite their claims of high visibility and promotion, the official Facebook event showed minimal engagement and even displayed the wrong address. I tried to compensate for the lack of visibility by promoting the event myself, but the overall disorganization and lack of support made it clear that the event was not set up to benefit the participating artists.
When I reached out to the organizer to request the curator and gallerist meetings that were promised, I received no meaningful response or follow-up. Eventually, I requested a refund due to the unmet conditions. Instead of addressing the concerns, I was pressured to cancel my claim and instructed to remove my artworks before the exhibition had even ended. This felt like a retaliatory measure and a clear violation of the agreement.
Additionally, I was offered a positive review feature in exchange for silence — which I declined, as I believe in ethical practices and transparency.
This experience was not only financially disappointing but also emotionally draining. As an independent artist who traveled at my own cost and trusted in the promise of a professional opportunity, I feel a responsibility to share this for the benefit of others.
Artists deserve honest, respectful, and transparent treatment — not empty promises and manipulative tactics.

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È stata un'esperienza fenomenale, soprattutto l'incontro con altri artisti provenienti da altri campi, la possibilità di entrare in contatto e di apprezzare le loro opere e i loro concetti.

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In my view, ITSLIQUID is a platform that offers real opportunities for visibility and exposure on an international stage especially for emerging artists. Itsliquid is a very professional, supportive platform and is effective in connecting your work to broader audiences through exhibitions in Europe.
At the same time, ITSLIQUID operates on a fee-based model. Participation, though often open, comes with significant costs and i haven’t experienced much visitor engagement or sales to offset those fees.
Taking everything into account, I’d say it’s worth participating when looking for international exposure. In the end, it can be a valuable step if you weigh the costs relative to what you hope to receive in return.

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My name is Jeff Corwin and I am a fine art photographer based in Montana, US. On July 10th, after the release of ITSLIQUID’s “Featured Artist” email to its more than 300,000 subscribers, my website saw a spike of 417% for the month and a 4,150% uptick for that day alone!! The increase in views continued into the following days as well. Thank you to Amaride, Luca and Giulia at ITSLIQUID Group in Bari, Italy for this wonderful article and their continued support of my work.

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I've attended events in Venice both Hybrid Identities and Secret Spaces. I had the best experience an artist could dream of.
From the very beginning of this collaboration I was valued and I was heard. They gave me enough space to express my thoughts, my worries, my ideas, my opinion.
If my message was sent early morning or late afternoon, Giulia Tassi was there for me with the answers.
I had to ship my artwork from Ireland to Venice. Shipping original artwork with long distance destinations can be nerve-wracking, however they relieved that pressure from my shoulder as well, as Mr. Lorenzo was there for me providing high quality service.
The exhibition location was amazing all of the artworks were of the highest quality, I felt honored to showcase my piece amongst them.
At the opening I had the pleasure to meet the rest of the team members of Itsliquid Group, they were all kind, helpful and welcoming. Luca Cruci, the curator made sure to spend quality time with all of the featured artists which I truly appreciate.
See you guys in London!
With sincere
Nagy Anita artist (Ireland, Ennis - Co.Clare)

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I am very pleased with my experience with ITSLIQUID. The team is professional, supportive, and truly dedicated to promoting artists on an international scale. Communication is smooth, and they are always responsive and encouraging. I highly recommend ITSLIQUID to any artist looking to expand their reach and connect with art lovers worldwide.

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Thank you for the superbly organised exhibition, for the professional approach and for the opportunity to share my visual experience. Thank you!

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Being an artist exhibiting my artwork in the exhibition SENSES at the MUST Museo in Lecce, Italy, has been an amazing experience. The team of ITS LIQUID curated and orchestrated an exceptional event in collaboration with the MUST Museum during Lecce Art Week 2025. The visibility and recognition through this event were a major step in my artistic career.

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I had the privilege of presenting my video art works at this exhibition in Venice, and it was truly a remarkable experience.
The organization was professional, the space was inspiring, and the communication with the team was smooth and kind.
I felt that my work was presented with care and attention, and I was honored to be part of such a diverse and international artistic environment.
I look forward to future collaborations!

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I truly enjoyed the exhibition — it was an absolute pleasure to be a part of it. Everything was so beautifully organized, and it offered a wonderful opportunity to immerse myself in the world of art. Thank you so much!

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Bellissima galleria d'arte situata dietro al Colosseo. Team professionale e super organizzato. Un'esperienza Bellissima!

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Il posto giusto per gli artisti emergenti…
Fidati, se ne hai l’occasione non pensarci due volte!

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Incredible and professional company !
Through the exhibition many of my paintings sold by sharing my website .
They also uploaded a wonderful article about my career which is on my website.
Amazing platform re: professional artists
Europe is a wonderful place to exhibited.

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Très professionnels et à l'écoute de nos demandes par des réponses rapides

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They are totally trust worthy, great in communication
Giulia was fantastic and helpful, 10 out of ten, the shipping she recommended MDE Mr Lorenzo was really
Great as well, he made it easy for me.

Besvarelse fra ITSLIQUID Group
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